Posts Tagged ‘John Tavener’

John Tavener, RIP

November 12, 2013

Sir John Tavener died today in Dorset. For some decades he has been counted among England’s leading composers, usually lumped with the “holy minimalists” by those with a liking for such labels. He did write a great deal of sacred music, little of it for liturgical purposes and much of it quite beautiful, though sometimes sullied by what was, to my mind, an overzealous religious syncretism.

His best known compositions are probably his marvellous setting of Blake’s “The Lamb”, and his “Song for Athene”, which was sung at Princess Diana’s funeral. I am fond of his cello concerto in honour of Our Lady, The Protecting Veil, which is, however, too long to post here. Instead, here is his Hymn to the Mother of God, in whose tender keeping I hope he now finds himself.

Requiescat in pace.

Oh, why not? Here is a lovely section of The Protecting Veil, with Yo-Yo Ma at the cello.

Sacred Music on the BBC, II

June 23, 2010

About six months ago I wrote words of praise for a BBC television programme called Sacred Music, which was exploring, with the capable assistance of Harry Christophers and his crack choir The Sixteen, the history of Christian sacred music.  Those first four shows began with Gregorian chant and ended with the music of J.S. Bach.  I remarked at the time that there was plenty of later sacred music worthy of consideration, and I wished for another set of episodes.  My wish has come true.  Four new episodes have been produced, and over the past few weeks I have watched them all.  With a few reservations, I enjoyed them.

The first episode examines the music of Anton Bruckner and Johannes Brahms; in the latter case the focus rests on his Ein Deutsches Requiem, which is not really sacred music in the strict sense — not liturgical music — and which seems to have been written from doubt as much as from belief, but which exists within that penumbra of sacred music where the personal and eccentric rub up against the firm and enduring voices of Scripture and traditional Christian faith.

A similar comment could be made about Gabriel Faure’s Requiem, which, together with Poulenc’s sacred works, are the subjects of the second episode.  The third takes us behind the late twentieth-century’s Iron Curtain to hear the courageous sacred music of Arvo Pärt and Henryk Górecki.  I have admired Pärt, in particular, for a long time, and the brief interview segments in this episode have caused my admiration to wax greater still.

The fourth and final episode returns to the United Kingdom, and brings us up to the present day.  Three composers — James MacMillan, John Rutter, and John Tavener — are interviewed.  I haven’t got much use for the latter two, but MacMillan is terrific, and I found the interviews with him fascinating.  I learned, what I did not know, that he regularly writes new music for the choir at his parish church in Glasgow, whereupon I kicked myself in an uncomfortable spot for not attending that parish when I was in Glasgow a few years ago.  Bad tourist, bad.

Here is a clip from the final episode.  The segment on James MacMillan begins at about 2:45.

Given that this batch of episodes brings the music to the present, I doubt there will be any more seasons.  Too bad.  It has been an excellent series, all things considered.