Posts Tagged ‘Catholicism’

Caldecott: Beauty in the Word

June 26, 2017

Beauty in the Word
Stratford Caldecott
(Angelico, 2012)
168 p.

In an earlier book, Beauty for Truth’s Sake, Stratford Caldecott, in the guise of a treatment of the classical quadrivium, outlined his thoughts on how education might begin to reintegrate the dissociated sensibility of the West, in which truth, understood as objective and impersonal and more-or-less narrowed to the domain of the sciences, stands on one side, and goodness and beauty, understood as subjective and private, stand on the other, and never the thrain shall meet.

Beauty in the Word is a companion volume, where this time the subject is the classical trivium, but the objectives are comparably deep and far-reaching.

He begins with an overview of competing visions and theories of education, with a particular question in mind: “What kind of education would enable a child to progress in the rational understanding of the world without losing his poetic and artistic appreciation of it?” He argues that education is not principally about conveying information or developing skills, but about formation of character in mind and heart; it is about who we will be, not what we will do. He cites with approval Simone Weil’s famous proposal that the most important thing about education is not what we study, but how we study, and in particular that we promote “the development of attention”, a habit essential to the intellectual and spiritual health of the person. For Caldecott, education is always about the person. “Education is more like gardening than manufacturing.”

In his survey of educational theories, a basic dialectic between didactic and elucidative methods emerges. One side says that education is about instruction, for the child is ignorant and can only learn if told; the other side says that the child has interests and abilities and should be encouraged and accompanied as he or she grows and matures. The one pours in, the other draws out. My own instincts are didactic, but Caldecott (drawing on the ideas of Maria Montessori) mounts a defence of the latter view for a Catholic understanding of education, and in the end he arrives at a middle position:

“The basis for a good education is, on the one hand, the self-motivation of the child to pursue what engages and interests him, and on the other, the creativity, responsiveness, and love of the teacher, who sets the terms for learning and encourages the child to flourish.”

The role of the teacher is to help the child to grow in understanding and range, and to avoid the trap of a “relevant” education, in which a pupil is flattered or merely allowed to stagnate within their limited horizon. On the contrary, a Catholic education is one which is directed toward helping the student to mature, and also to help them appropriate the tradition of which they are an heir, in order that they can inhabit it and then, in due time, bequeath it to the next generation. “Ideally, Catholicism fulfils and brings to perfection the natural educational process, which is the transformation in creative freedom of a cultural tradition to our children.”

Turning then to the classical trivium of grammar, dialectic, and rhetoric, Caldecott cites the definitions of Hugh of St Victor: “Grammar is the knowledge of how to speak without error; dialectic is clear-sighted argument which separates the true from the false; rhetoric is the discipline of persuading to every suitable thing.” And this is so, as far as it goes, but he proceeds to deepen each of the three in a trilogy of chapters, and he does so by setting up a catalogue of triplets to be understood as analogies or implications or parallels of the basic educational trivium. His set of “Eight Threes” looks like this:

Mythos Logos Ethos
Grammar Dialectic Rhetoric
Remembering Thinking Speaking
Music/Dance Visual arts Drama
One True Good
True Good Beautiful
Given Received Shared
Father Son Spirit

One could study this table and gradually draw out much of what the book has to say. But, since I am here to do good service, I’ll do some of the drawing out myself.

Grammar he connects to “remembering”. The object of understanding is not simply linguistic grammar, but the grammar of being, the logic of things. “To fill a word with meaning is an act of remembering the being of the thing itself“. Grammar grounds us in what is real, as the foundation of our thought. We give names to things, and though the names themselves are conventions, the things named are not. “Naming is related to the power of seeing; of seeing into the realities, the essences of things.” Nominalists cannot be grammarians.

Language is also our medium for passing on what we know, and thus for the formation of a tradition. To be inducted into a tradition through education is an act of remembering, and a tradition is to be received in a receptive spirit of love, as a gift of something precious. “The ‘spirit of tradition’ is an essential element of education.” We, of course, live in a time when traditions are faltering and dissolving, when amnesia is the objective, and therefore we must be deliberate about guarding and teaching the good things we have inherited. This handing-on, this giving of a tradition to a new generation, is also a personal act, directed to the good of both teacher and pupil. In an anti-tradition, Caldecott argues, the world is simply a pattern of information to be transferred to a new mind. It has no personal element, and is not addressed to the soul, and this is deficient. We should therefore be wary of technologies that make teaching impersonal, or that intrude into the personal connections that constitute a tradition.

Central to the grammar of remembrance is the cultivation of memory and attention, both as indispensable requirements for retention of what is learned, but also as a means of integrating the personality and preparing in the pupil the road to contemplation. This was why Simone Weil was so devoted to attention as the aim of education: because attention is essential to contemplative prayer, and to the intuition of being which is at the heart of a grounded knowledge of the grammar of things. Students will make progress through learning by heart, and also through participation in the arts: in crafts, drama, song, story, and, especially, liturgy, which (in theory) brings these individual arts to an apex:

“If the spirit of tradition is to be preserved and revived, liturgy is going to be the key, for this is the school of memory, the place where we recollect ourselves, where we learn how to relate to each other in God. This is where we learn to accept the past and existence itself as a gift calling for a response of gratitude. Prayer and worship are therefore not extraneous but should be a central element in the life of the school or family. As we pray, so shall we be.”

The second part of the trivium, Dialectic, which is usually interpreted as ‘thinking’ or ‘reasoning’, Caldecott frames as the art of analysis and of discerning the truth. It rightly builds on the earlier stage, being informed by memory and the contemplation of what is real. (This in contrast to, say, Descartes, who began with dialectic, or, rather, began with forgetting, and tried to establish dialectic on a correspondingly thin foundation.) For Caldecott, dialectic is not cold reason, but proceeds in concert with both imagination and feeling, and is always grounded in a sober engagement with real things. Thinking is ‘thinking about’, and its characteristic mode is pondering, not flitting from one thing to the next.

The third stage of the trivium is Rhetoric, traditionally understood as the art of speaking, and especially of persuasion. In this stage one marshals one’s knowledge of things (“Grammar”) and one’s arguments and understanding (“Dialectic”) and conveys them to others with the intention of helping them to see and understand the same truths. Or, put in a more personal vein, by an education in the previous two stages we mature into a certain type of person, and in this third stage who we are, persons formed by a tradition, is communicated to others. Rhetoric makes use of all the resources of language — its music, its imagery, and its web of connotation — to convey truth. Because of its public, performative aspect it is closely related to song and music, and, even more deeply, to liturgy. Caldecott sees this appearance of liturgy as the telos of, or at least as the mature expression of, the educational process as highly significant, for liturgy, at its best, manifests a tradition of truths through a web of symbolic meanings of great rhetorical power. Naturally (and properly) this rhetorical power retains influence over us only so long as we understand or trust it to be grounded in truth. For these reasons, Caldecott sees the Mass as “intrinsic to the educational process itself”.


Following this overview of the basic structure and meaning of the trivium at a theoretical level, Caldecott transitions in the later chapters to practical questions of how these ideas might be instantiated in the day-to-day education of real children. The trivium forms the core of a classical liberal arts education, which was traditionally an elite project contrasted with a “servile” (or practical) education. But Caldecott points out that the Christian tradition, especially perhaps through the example of the Benedictines, who dedicated themselves to prayer, study, and manual labour, has relativized this hierarchy of “liberal” and “servile”, and that therefore today the liberal arts should be brought, insofar as is possible, to all.

The trivium describes ways of engaging with a subject, but does not specify what the subject should be. (The quadrivium is more prescriptive.) Caldecott proposes three subjects, broadly conceived: nature, culture, and Scripture, and he sketches a curriculum consisting of storytelling, music, exploration (“The study of nature through direct contact with gardens, animals, and wilderness is indispensable”), drawing, dance, drama, and sport. He cautions, wisely, that much reading absent personal experience to which to relate that reading can be fruitless, which is why he recommends balancing book learning with social activities, outdoor activities, and unstructured time for imaginative play. Yet reading is important, and he gives central place to both it and music — reading to children and playing music to them when they are young, and then transitioning them to self-guided engagement with books and music as they grow. They should read good books. (Quoting Charlotte Mason, he writes, “Children have a right to the best we possess; therefore their lesson books should be, as far as possible, our best books.”) He caused my heart to rejoice, casting a kind of in media res benediction over the many hours I have spent and will spend reading aloud to my kids, with this summation:

It makes sense to regard reading stories aloud to one’s children the archetypal act of the Trivium. One is simultaneously remembering a tradition, revealing the Logos, and (by voice, inflection, and gesture) dramatizing a story to communicate that meaning ‘heart to heart’.

Amen to that. In fact, the book seemed to be building toward a peroration of warm, happy contentment when suddenly, in the closing pages, he surprised me by recommending “unschooling” as a reasonable, and even, in some ways, particularly Catholic approach to education! Unschooling is a minority practice among homeschoolers in which children follow no prescribed curriculum but rather follow their own interests, managing their own time as they think best, and learning whatever they happen to learn. This comes back to the discussion at the beginning about the relative merits of prescriptive and elucidative models of education, and to my own instincts for the prescriptive side, I suppose, but I’ve always regarded unschooling as being somewhere between imprudent and idiotic. Caldecott, in an interesting rhetorical move, compares unschooling to NFP, something “regarded by many as an impractical ideal or an ideology, but when practiced in the right spirit it reveals itself as something else entirely”. Well, maybe. But maybe not.


There is much to admire about this book. I have not before encountered a book so thoughtful about the structure and significance of the classical trivium. The fact that it is not just a book of theory, but also an attempt to realize its ideas in practical form is also admirable, although I do think that its efforts in that direction are more suggestive than fully satisfactory, consisting of rather “normal” fruit plucked from the unusually rich philosophical reflections that produced it. But then, what did I expect?


“Christian education should be wider, not narrower, than that of a secular school.”

[A mother’s smile]
The infant is brought to consciousness of himself only by love, by the smile of his mother. In that encounter, the horizon of all unlimited being opens itself to him, revealing four things to him: (1) that he is one in love with the mother, even in being other than his mother, therefore all being is one; (2) that that love is good, therefore all Being is good; (3) that that love is true, therefore all Being is true; and (4) that that love evokes joy, therefore all Being is beautiful. (Von Balthasar, from My Work in Retrospect; quoted p.134-5)

Treasures of heaven

June 13, 2017

I recently watched this interesting BBC documentary on sacred relics and reliquaries. Like many such productions, it has the whiff of anthropology about it, as though this, our own still-living tradition, was that of an alien people (which, I know, is how it would seem to some significant section of the audience), but it’s worth persevering in order to see the wonderful relics they examine, including one of St Edmund Campion and another of Blessed Edward Oldcorne, both English martyrs. The reliquaries, especially a tiny one built to house one of the thorns of Christ’s crown, are breathtaking in their intricate beauty. I found it all both interesting and edifying. The duration is about 1 hour.

Endo: Silence

January 4, 2017

Shūsaku Endō
(Taplinger, 1980) [1966]
294 p. Second reading.

“Now a Major Motion Picture,” as they say, and I count myself among those anticipating Martin Scorcese’s long-gestated film adaptation of this, one of the notable, but controversial, Catholic novels of the twentieth century.

I want to discuss some aspects of the novel in detail, and this will involve spoilers. If you’ve not read the novel, you might wish to stop here.


The book is set in the early seventeenth century. We follow Rodrigues, a Portuguese Jesuit priest preparing to depart for Japan, where a severe persecution has oppressed the Christians and led some, including a revered Jesuit missionary, Fr Ferreira, into apostasy, or so the rumours run. Rodrigues doesn’t believe it, and embarks for Japan full of confidence.

He discovers soon enough that the persecution is no rumour, and he and his companion priest, Fr Garrpe, spend much of the first half of the novel in hiding or on the run, ministering where they can to the beleaguered Christian faithful. In the novel’s second half Rodrigues is captured and pressured to apostatize, an act dramatized by stepping on a fumie, a bronze picture of Christ’s face. “Only a formality,” he is told, but clearly not considered such by the people, nor by Rodrigues, who has a special devotion to the face of Jesus.

Silence has been regarded with admiration and suspicion since its publication. It is admired because it is undoubtedly a fine novel: well-written, memorable, and challenging. But many readers, especially Catholics, have found it troubling, and for a variety of reasons.

Some have objected to the dispiriting arc of the story. Why write or read a novel about Catholics who apostatize under persecution? This I take to be a weak objection, for such persecutions, and the very real and human challenges they force on the faithful, are as much a part of our history as any more positive tale, and should we not hold the plights of our beset brothers and sisters close to our hearts as well, even though they fall short? Especially today, when persecution is a real and widespread reality in many parts of the world, we do well not to turn our eyes away.

A more substantive criticism concerns the way that Rodrigues finally apostatizes. He is imprisoned but treated well, while other Catholic prisoners are subjected to brutal tortures, and Rodrigues is told that the torture will stop only if he, Rodrigues, apostatizes. His motive in stepping on the fumie, then, is plausibly not to apostatize, but only to bring relief to those who suffer.

I think this doubt has some merit, and I think it plausible that Rodrigues’ sin is not really apostasy. There is some evidence in the books final pages that he retains his faith, although he lives as a Japanese and has forsaken the duties of the priesthood. But if his sin is not apostasy, it is, on this reading, certainly lying and causing scandal, for by his actions he brings the faith into disrepute and leads others to believe he has apostatized. Rodrigues is not exonerated; his desire to do good by evil means still involves him in evil. He obviously falls far short of the example of uprightness and courage set by, for example, the Roman martyrs, who refused to offer a pinch of incense to the bust of Caesar.

A second, more vexing, element of his apostasy is that in the moments before he tramples the fumie Rodrigues sees the face of Christ urging him to trample it. The passage reads:

The priest raises his foot. In it he feels a dull, heavy pain. This is no mere formality. He will now trample on what he has considered the most beautiful thing in his life, on what he has believed most pure, on what is filled with the ideals and the dreams of man. How his foot aches! And then the Christ in bronze speaks to the priest: “Trample! Trample! I more than anyone know of the pain in your foot. Trample! It was to be trampled on by men that I was born into this world. It was to share men’s pain that I carried my cross.”

The priest placed his foot on the fumie. Dawn broke. And far in the distance the cock crew.

This flirts with sacrilege on Endō’s part, for Christ appears in the role of tempter. In the Gospels Christ comforts sinners with words of mercy and forgiveness, he does not do so prior to the sin, but only after; prior to the sin he urges them to sin no more. And it is not true that Christ came into the world in order to be trampled on by men; he came to save their souls.

Just prior to this dramatic climax, Fr Ferreira tries to convince Rodrigues to apostatize, arguing that trampling on the fumie is “the most painful act of love that has ever been performed,” and that “Christ would certainly have apostatized to help men”. Trampling on the image of Christ is framed as a kind of self-denial, in which Rodrigues is urged to sacrifice that which is most dear to him — his conscience — for the good of others. This, we have to say, is deeply confused. That one should sacrifice one’s conscience as a form of self-denial, doing evil as a kind of asceticism, or even out of love for neighbour, is clean contrary to the moral teaching of the Church, which says both that there is always a strict obligation to obey one’s conscience and that love of neighbour is rightly rooted in love of God and of oneself (which we have on good authority); therefore one could never rightly show love to one’s neighbour by intentionally doing harm to one’s own soul.

These faults, most of which are packed onto just a few pages, mar a novel that otherwise has much to recommend it. I was particularly drawn, for example, to a secondary character, Kichijiro, who apostatizes early on, but who then follows Rodrigues throughout his wanderings and imprisonment, on the periphery, but intervening now and then to help Rodrigues. Kichijiro, we eventually come to learn, is truly repentant for his sin, and seeks to make amends. There were times when I wished I could read his story instead of Rodrigues’; it is a story in which I expect the imperatives of conscience, the horror of sin, and the mercy of Christ would be major themes.

An important question raised by the novel concerns the challenges of presenting the Gospel to a culture that has not heard it before. At first Rodrigues is impressed by the spread of Christianity in Japan following the initial mission of St Francis Xavier. “Our religion has penetrated this territory like water flowing into dry earth,” he thinks. But when he finally meets Fr Ferreira, the latter complains that the Japanese could not truly accept the faith, for when they attempted to adopt it they changed it. He says to Rodrigues:

“But in the churches we built throughout this country the Japanese were not praying to the Christian God. They twisted God to their own way of thinking in a way we can never imagine. If you call that God…” Ferreira lowered his eyes and moved his lips as though something had occurred to him. “No. That is not God. It is like a butterfly caught in a spider’s web. At first it is certainly a butterfly, but the next day only the externals, the wings and the trunk, are those of a butterfly; it has lost its true reality and has become a skeleton. In Japan our God is just like that butterfly caught in the spider’s web: only the exterior form of God remains, but it has already become a skeleton.”

The habits and categories of thought of the Japanese were sufficiently different from those of Christian lands that this mistranslation was seemingly inevitable. Ferreira therefore concluded that missionary work in Japan was pointless. He ought to have concluded that missionary work in Japan must be slow and careful, giving adequate respect to that country’s native culture, and that missionaries to Japan, like himself, must be patient. But the frustration is an understandable one, and the challenge is a real one that the Church must always grapple with.

Another major theme explored in the novel, from which it takes its name, is the silence of God in the face of suffering. Again and again Rodrigues has to confront the fact that he sees the Japanese Christians suffering, sometimes horribly, and yet God seems absent. There is a partial answer to this question, perhaps, in the fact that Rodrigues recapitulates the Passion of Christ in his own suffering — on numerous occasions he notes how one or another of his experiences reminds him of an episode in the Passion — and so Christ is present to Rodrigues in an intimate way, though Rodrigues himself does not see it. But what this story is lacking is an analogue of the Resurrection. Instead, Rodrigues’ commitment dwindles away, the persecution continues, and, in the long run, Japanese Christianity is very nearly exterminated. And this is what actually happened.

The novel is a haunting one. I’d be most interested to hear from others whether I’ve interpreted it sensibly or not.

Cobbett: The Protestant Reformation

October 17, 2016

220px-william_cobbettA History of the Protestant Reformation in England and Ireland
William Cobbett
(TAN Books, 1988) [c.1825]
432 p.

I do not know much about William Cobbett, but based on this book he seems the sort who had a habit of placing his index finger on the sternum of his conversation partners, who made honest but uncomfortable remarks at dinner parties, and who was a nasty thorn in the side of the establishment. He burned with zeal for justice. In this book he sallies out to slay a giant — the historiography of the English Reformation, which he calls “a mass of the most base falsehoods and misrepresentations” promulgated by “crafty and selfish revilers of the religion of our fathers” who are full of “presumption, impudence, inconsistency, and insincerity”.

Cobbett was himself a Protestant, but he despised the way the history of English religion since Henry VIII had been white-washed. Curiously, in this book he evinces little interest in “rites and ceremonies and articles of faith and rules of discipline”; he has no theological purpose. His wants simply to set the historical record straight, and then to argue that, quite apart from doctrinal matters, the Reformation was a social disaster for England.

His general view can be summarized, as gently and succinctly as possible, in the following way:

Now, my friends, a fair and honest inquiry will teach us, that this was an alteration greatly for the worse; that the “REFORMATION,” as it is called, was engendered in beastly lust, brought forth in hypocrisy and perfidy, and cherished and fed by plunder, devastation, and by rivers of innocent English and Irish blood; and that, as to its more remote consequences, they are, some of them, now before as in that misery, that beggary, that nakedness, that hunger, that everlasting wrangling and spite, which now stare us in the face and stun our ears at every turn, and which the “Reformation” has given us in exchange for the ease and happiness and harmony and Christian charity, enjoyed so abundantly, and for so many ages, by our Catholic forefathers.

In other words, to counter the prevailing history in which Protestants did no wrong and Catholics did no right, Cobbett threw his weight heavily in the opposite direction, arguing not only that the motives and methods of the Protestants were evil, but that England before the Reformation was a kind of terrestrial paradise, untroubled by the problems besetting the sceptered isle in his own time. The lopsidedness of this view makes it vulnerable for many of the same reasons that the standard history was vulnerable, but, at the same time, it is rather thrilling to follow his take-no-prisoners approach.

A word-mincer he is not. He cites with evident relish Martin Luther’s description of Henry VIII as “a pig, an ass, a dunghill, the spawn of an adder, a basilisk, a lying buffoon dressed in a king’s robes, a mad fool with a frothy mouth and a whorish face”, and then piles on by calling the king a “savage monster” and “the most unjust, hard-hearted, meanest and most sanguinary tyrant that the world had ever beheld”. Thomas Cranmer, Henry VIII’s Archbishop of Canterbury, is “a name which deserves to be held in everlasting execration; a name which we could not pronounce without almost doubting of the justice of God, were it not for our knowledge of the fact, that the cold-blooded, most perfidious, most impious, most blasphemous caitiff expired, at last, amidst those flames which he himself had been the chief cause of kindling.” Cromwell is “slavish and base”, “the most insolent and cruel of ruffians”. Elizabeth, lauded by Protestant historians as “good Queen Bess”, Cobbett dubs “ripping-up Betsy”, “inexorable apostate”, “horrible lynx-like she-tyrant”, “terrible she-tyrant”, “termagant tyrant”, and “the worst woman that ever existed in England, or in the whole world, Jezebel herself not excepted.” Reformers in general he calls “ruffian devastators” for whom “plunder, sacrilege, adultery, polygamy, incest, perjury, and murder were almost as habitual as sleeping and waking”. By contrast, the Catholic queen Mary — “Bloody Mary” by convention — he cites as an “example of fidelity, sincerity, patience, resignation, generosity, gratitude, and purity in thought, word and deed”. The standard history he assaults from every side.


Though Cobbett, as I said, does not try to argue specific doctrinal points of contention between Catholics and Protestants, and indeed seems to think them almost matters of indifference, he does not forbear to prosecute the case of inconsistency against the Protestant reformers. He wryly notes that the Protestant polemic against Catholicism — the “Scarlet Whore” — risks proving too much: so great was the Established Church’s debt to Catholicism that each polemical assault on the latter could not but weaken the former as well. The Protestant devotion to the Bible, for instance, could only survive in the company of anti-Catholicism so long as the Catholic origins of the Bible were ignored:

To a pretty state do we come, when we, if we still listen to these calumniators, proclaim to the world, that our only hope of salvation rests on promises contained in a book, which we have received from the Scarlet Whore and of the authenticity of which we have no voucher other than that Scarlet Whore and that Church, whose worship is “idolatrous” and whose doctrines are “damnable.”

Similarly he lampoons the notion that there could be any legitimate national head of the Church who promulgates teachings in contradiction of the Pope’s, and yet somehow not have the unity of that national Church with the Church universal be impaired:

It is perfectly monstrous to suppose that there can be TWO true faiths. It cannot be: one of the two must be false. … How is the faith of all nations to continue to be ONE, it there be, in every nation, a head of the Church, who is to be appealed to, in the last resort, as to all questions, as to all points of dispute, which may arise? How, if this be the case, is there to be “one fold and one shepherd”? How is there to be “one faith and one baptism”? how are the “unity of the spirit and the bond of peace” to be preserved? We shall presently see what unity and what peace there were in England, the moment that the King became the head of the Church.

This is not a theological problem, as such, but simply a logical one: the Church of England cannot both be and not be part of the Catholic Church.


But inconsistencies of this sort don’t matter greatly to Cobbett because he believes they didn’t really matter greatly to the Reformers themselves. Instead, to his mind the intellectual case against Catholicism, cobbled and threadbare as it was, was simply cover for the real motive: plunder. There was “plunder at the bottom”; plunder was “the mainspring” from which the rest flowed.

I won’t pretend to adjudicate the motives of the Reformers, but I will agree with Cobbett that it would be foolish to consider those motives without taking plunder into account. There was immense wealth at stake: Henry VIII’s dissolution of the monasteries, with the confiscation of their lands and goods, and then appropriation of Church valuables, and his decision to give that wealth to the co-operative noble families of the realm meant that the nobility had powerful incentives to let Henry have his way in religious matters. Cobbett argues that the treatment of Catholics was harsher than that meted out to other religious groups at odds with the king, such as Quakers and Jews, and he attributes this to the simple fact that the Catholics had the wealth that the king wanted.

Whatever their motives, the dissolution of the monasteries was, for Cobbett, the chief calamity of the English reformation, for it did immeasurable harm to rural England. The monasteries had been more than simply houses of prayer: they were the chief landowners, and landlords, in the nation. Each monastery was a central hub for agriculture and commerce, on which ordinary people depended for their livelihoods, and monasteries were, by and large, good for those who depended on them:

…The Monastery was a proprietor that never died; its tenantry had to do with a deathless landlord; its lands and houses never changed owners; its tenants were liable to none of many uncertainties that other tenants were; its oaks had never to tremble at the axe of the squandering heir; its manors had not to dread a change of lords; its villagers had all been born and bred up under its eye and care; their character was of necessity a thing of great value, and, as such, would naturally be an object of great attention. A Monastery was the centre of a circle in the country, naturally drawing to it all that were in need of relief, advice, and protection, and containing a body of men, or of women, having no cares of their own, and having wisdom to guide the inexperienced, and wealth to relieve the distressed.

And was it a good thing, then, to plunder and devastate these establishments; was it a reformation to squander estates, thus employed, upon lay persons, who would not, who could not, and did not, do any part or particle of those benevolent acts, and acts of public utility, which naturally arose out of the monastic institutions?

When the monasteries were seized and the monks and nuns evicted, all those who depended upon them suffered, for the nobles who received the properties did not, by and large, live on those estates, but governed them from afar, and without the personal investment and sense of responsibility that had previously prevailed. Cobbett argues that in time this sea change in English economic and social life gave rise to a new English type: the pauper, the truly destitute citizen who had nowhere to turn for help. It harmed everyone except the most powerful:

To turn the possessors of so large a part of the estates out of those estates, to destroy establishments venerated by the people from their childhood, to set all law, divine as well as human, at defiance, to violate every principle on which property rested, to rob the poor and helpless of the means of sustenance, to deface the beauty of the country, and make it literally a heap of ruins…

[The dissolution of the monasteries was] “a breach of Magna Charta in the first place; a robbery of the monks and nuns in the next place; and, in the third place, a robbery of the indigents, the widow, the orphan and the stranger.”

This line of argument is, for me, among the most interesting and, assuming that the facts are straight, compelling that Cobbett offers. I’d not really considered the Reformation from an economic point of view before, my own interests tending in other directions, but I can certainly see that the “transfer of ownership” (forgive the euphemism) of all those abbeys — and there were hundreds at the time of the Reformation, dotting the landscape across the whole of England –churches, and lands must have had a significant effect on the tenant farmers of those lands. Cobbett follows this thread right down to his own time, arguing that, one thing leading to another, the rise of Protestantism in England was a cause of much of the economic devastation he saw around him, and even led to the national debt (by way of funding wars against Catholics)!


It is fair to say that Cobbett sees no redeeming features in the reign of Henry VIII, and his successor Edward VI doesn’t fare much better. He cites David Hume’s History of England — the “lying book, which the Scotch call our history” — which says that

“All English historians dwell with pleasure on the excellences of this young king, whom the flattering promises of hope, joined to many real virtues, had made an object of the most tender affections of the public. He possessed mildness of disposition, a capacity to learn and to judge, and attachment to equity and justice.”

To which Cobbett offers the acerbic rejoinder:

Of his mildness we have, I suppose, a proof in his assenting to the burning of several Protestants, who did not protest in his way; in his signing of the death warrants of his two uncles; and in his wish to bring his sister Mary to trial for not conforming to what she deemed blasphemy, and from doing which he was deterred only by the menaces of the Emperor her cousin. So much for his mildness. As for his justice, who can doubt of that, who thinks of his will to disinherit his two sisters, even after the judges had unanimously declared to him, that it was contrary to law? The “tender affection” that the people had for him was, doubtless, evinced, by their rising in insurrection against his ordinances from one end of the kingdom to the other, and by their demanding the restoration of that religion, which all his acts tended wholly to extirpate.

So much for Edward VI.


As I mentioned above, Cobbett’s general strategy of switching the labels on those traditionally designated unimpeachably-good or irredeemably-bad leads him to say kind things about Mary I. Now, the tradition had dubbed her “Bloody Mary”, which is, to say the least, rather one-sided, so Cobbett’s defence of her has merit simply as a corrective. In fact, he’s more nuanced in his defence of her than is typical for him: he defends her not as being above criticism, but as being no worse than Henry VIII or Elizabeth, and in some respects better.

He argues, for instance, that she was, at least, not a hypocrite: she persecuted those who held a faith contrary to her own, not (as with Henry and Elizabeth) those who held a faith that she herself had previously professed and defended. Moreover, she persecuted those who departed from the faith of their parents, not (as with Henry and Elizabeth) those who adhered to it; she defended the virtue of filial piety. Also, he argues that she acted as she did to contain and correct a situation created by her predecessors, not one of her own creation; she was a defender rather than an aggressor.

These and other arguments can be legitimately made in Mary’s defence (and other historians have expanded on the case). Though the lengths to which we will go to defend a woman who killed 283 (Cobbett thinks 277) of her religious opponents is necessarily limited. About these executions, Cobbett’s treatment is a mixture of fair and foul. Among his praiseworthy contributions is to point out that, although it is true that Mary re-instated statutes permitting the burning of heretics, statutes that had been previously repealed by Edward VI, it is not often noted that the reason Edward had repealed them was not from a surfeit of tender-heartedness, but because the statutes in question specifically authorized the burning of those who taught “contrary to the Catholic faith”, an awkward fact for Edward since it authorized the burning of his own party rather than his opponents. And although Cobbett correctly notes that Elizabeth executed more of her religious opponents than Mary did, he fails to note that Mary achieved her total in just a few years, as opposed to Elizabeth’s few decades.


Cobbett’s treatment of Elizabeth I is also fairly nuanced. It is true that he peppers his prose with a litany of devastating sobriquets, some of which I cited earlier. Here he sums up his case against her:

Elizabeth was as great a tyrant as ever lived; she was the most cruel of women; her disgusting amours were notorious; yet, she was the most popular sovereign that had ever reigned since the days of Alfred; and we have thousands of proofs, that her people, of all ranks and degrees, felt a most anxious interest in everything affecting her life or her health. Effects like this do not come from ordinary causes. Her treatment of great masses of her people, her almost unparalleled cruelties, her flagrant falsehoods, her haughtiness, her insolence and her lewd life, were naturally calculated to make her detested, and to make her people pray for any thing that might rid them of her.

We seem to have a puzzle before us: Elizabeth was cruel and detestable, but her people nonetheless rallied to her and were anxious for her well-being. The reason is not far to seek: the alternative to her was, by and large, considered worse. The alternative was subjection of England to foreign powers:

According to the decision of the head of the Catholic Church, Elizabeth was an usurper; if she were an usurper, she ought to be set aside; if she were set aside, Mary Stuart and the King of France became Queen and King of England; if they became Queen and King of England, England became a mere province, ruled by Scotchmen and Frenchmen, the bare idea of which was quite sufficient to put every drop of English blood in motion. All men, therefore, of all ranks in life, whether Protestants or Catholics, were for Elizabeth.

The “decision” alluded to was Pope Pius V’s Regnans in Excelsis, a papal bull which condemned Elizabeth’s birth as illegitimate and her claim to the throne as empty. Both charges were true, but if there were ever a case study to illustrate the value of a prudent silence, this is it, for the Pope’s bull put Elizabeth herself in an impossible position, provoked an intense persecution of English Catholics, and, in the end, nearly erased Catholicism from English life. Elizabeth acted from self-preservation:

In short, she saw clearly, that, if her people remained Catholics, she could never reign in perfect safety. She knew that she had no hereditary right; she knew that the law ascribed her birth to adultery. She never could think of reigning quietly over a people the head of whose Church refused to acknowledge her right to the crown. And resolving to wear that crown, she resolved, cost what ruin or blood it might, to compel her people to abandon that very religion, her belief in which she had, a few months before, declared, by praying to “God that the earth might open and swallow her alive, if she were not a true Roman Catholic.”

And so she prosecuted a policy of sustained and quite aggressive persecution of Catholics in her realm, a campaign that has been well-studied and about which I have written before (here). Cobbett also reviews the main features of this policy, and is quite good at conveying the experience of Catholics under what was, in effect, an early police state:

The Catholic gentleman’s own house afforded him no security; the indiscretion of children or friends, the malice of enemies, the dishonesty or revenge of tenants or servants, the hasty conclusions of false suspicion, the deadly wickedness of those ready to commit perjury for gain’s sake, the rapacity and corruption of constables, sheriffs, and magistrates, the virulent prejudice of fanaticism; to every passion hostile to justice, happiness, and peace; to every evil against which it is the object of just laws to protect a man, the conscientious Catholic gentleman lived continually exposed; and that, too, in that land which had become renowned throughout the world by those deeds of valour and those laws of freedom which had been performed and framed by his Catholic ancestors.

In the end, Elizabeth is portrayed as a ruthless and unprincipled monarch, but one whose hand was forced by papal imprudence and who acted to defend England.


With the accession of James I, Cobbett’s history begins to move more rapidly, and he returns to an emphasis on the social and economic consequences of the English Reformation. He argues, for instance, that the decision of the English monarchs to fight “no popery” wars on the continent led to the establishment of the English national debt, a millstone around the necks of all Englishman that continued to be borne in his day (and ours). (Yet I note that he does not consider the possibility that a Catholic England might have similarly fought “no popery” wars on the continent, but fought on the other side.) He describes the Penal Laws against Catholics that continued for generations after the Reformation, barring them from universities, civil or military service, and imposing other disabilities. He argues that James II was overthrown precisely because he suspended these laws and granted liberty of conscience; I don’t know this history well enough to know how plausible that claim is.

Although the French Revolution is not exactly part of English history, Cobbett can’t resist comparing the typical response of the English establishment to militant French atheism with the facts of England’s own history:

Now, in the first place, they saw about forty sorts of Protestant religion; they knew that thirty-nine of them must be false; they had seen our rulers make a church by law, just such an one as they pleased; they had seen them alter it by law; and, if there were no standard of faith; no generally acknowledged authority; if English law-makers were to change the sort of religion at their pleasure; why, pray, were not French law-makers to do the same? If English law-makers could take the spiritual supremacy from the successor of Saint Peter, and give it to HENRY THE-WIFE-KILLER, why might not the French give theirs to LEPEAU? Besides, as to the sort of religion, though ATHEISM is bad enough, could it be WORSE than what you tell us is “idolatrous and damnable”? It might cause people to be damned; but could it cause them to be more than damned? Alas!

And so it goes, as he brings his history up to the events of his own time.


The title of the book indicates that it is about the Reformation in England “and Ireland”. I haven’t said much about Ireland in these notes, and that because while Cobbett does occasionally refer to events in Ireland, he doesn’t give it a sustained treatment, and I don’t know enough to fill in the gaps. The Irish Penal Laws are his chief interest.


This is a highly enjoyable book. Yes, it is cranky, and surely a comparably-toned book written today would rub me the wrong way, but we make allowances for dear English eccentrics, and Cobbett is certainly one, in the best sense.

At the close of his book, he sums up his admirable motives in writing it, and it seems fitting to quote them in conclusion:

I have now performed my task. I have made good the positions with which I began. Born and bred a Protestant of the Church of England, having a wife and numerous family professing the same faith, having the mains of most dearly beloved parents lying in a Protestant church-yard, and trusting to conjugal or filial piety to place mine by their side, I have, in this undertaking, had no motive, I can have had no motive, but a sincere and disinterested love of truth and justice. It is not for the rich and the powerful of my countrymen that I have spoken; but for the poor, the persecuted, the proscribed. I have not been unmindful of the unpopularity and the prejudice that would attend the enterprise; but, when I considered the long, long triumph of calumny over the religion of those, to whom we owe all that we possess that is great and renowned; when I was convinced that I could do much towards the counteracting of that calumny; when duty so sacred bade me speak, it would have been baseness to hold my tongue, and baseness superlative would it have been, if, having the will as well as the power, I had been restrained by fear of the shafts of falsehood and of folly. To be clear of self-reproach is amongst the greatest of human consolations; and now, amidst all the dreadful perils, with which the event that I have treated of has, at last, surrounded my country, I can, while I pray God to save her from still further devastation and misery, safely say, that, neither expressly nor tacitly, am I guilty of any part of the cause of her ruin.

Newman: Loss and Gain

August 25, 2016

Loss and Gain
Bl. John Henry Newman
(Ignatius, 2012) [1848]
432 p.

This was the first book Newman wrote after his conversion to Catholicism at Oxford in 1845, and, given its theme — about a young Oxford man, Charles Reding, who converts to Catholicism — it is natural, and probably justifiable, to see it as an autobiographical novel. It would be interesting to compare it to his Apologia pro vita sua — this is left as an exercise.

Enthusiasts for books about Oxford men named Charles who convert to Catholicism will note the similarities with their other favourite book, Brideshead Revisited. (Indeed, in this Ignatius Press edition an accompanying essay by J.C. Whitehouse uses the phrase “Brideshead Previsited”, which earns full marks from me.) But (not having read that essay) I would say that the similarities between the two books are fairly slight. Waugh’s novel is a character study in which theology hardly registers (that hilarious scene of Rex’s catechism notwithstanding), whereas Newman’s novel, though not without characters — especially in the sense of “representatives of a view” — is deeply and directly concerned with theology. The book is full of conversation set-pieces in which theology and history and ethics are discussed.

John_Henry_NewmanThere is something didactic about this, and the extent to which it is tolerable will depend on how interesting the reader finds the topics of conversation. Speaking for myself, I enjoyed almost all of them. I expect that anyone who has thought much about religious conversion, or, better, who has experienced a long, drawn-out, and at least partly intellectual religious conversion himself, is likely to find the book quite absorbing and insightful about the process.

Charles is an undergraduate as the book opens, and as near as I can determine it more or less covers the period of his undergraduate career. The Oxford of his day differs from the Oxford of ours inasmuch as religion is for him a focal point of campus life, and religious ideas are matters of general discussion and controversy. When Charles visits the room of his friend Willis for the first time, he finds:

there was much in them which shocked both his good sense and his religious principles. A large ivory crucifix, in a glass case, was a conspicuous ornament between the windows; an engraving, representing the Blessed Trinity, as is usual in Catholic countries, hung over the fireplace, and a picture of the Madonna and St. Dominic was opposite to it. On the mantelpiece were a rosary, a thuribulum, and other tokens of Catholicism, of which Charles did not know the uses; a missal, ritual, and some Catholic tracts, lay on the table; and, as he happened to come on Willis unexpectedly, he found him sitting in a vestment more like a cassock than a reading-gown, and engaged upon some portion of the Breviary.

I’m not saying this scene is absolutely impossible today, or that it was usual in Newman’s day — we know from Charles’ reaction that it was not — but it is more the specific nature of the religious artifacts that excites Charles’ attention, whereas today it would be the mere presence of religious artifacts.

For Charles religion is not about feelings or wishes, but about truth (in this he is certainly Newman’s avatar), and his spiritual journey is in significant measure an intellectual one, a journey toward right belief:

He had now come, in the course of a year, to one or two conclusions, not very novel, but very important:—first, that there are a great many opinions in the world on the most momentous subjects; secondly, that all are not equally true; thirdly, that it is a duty to hold true opinions; and, fourthly, that it is uncommonly difficult to get hold of them.

And again, in conversation with a friend, Charles contends that:

“I did not say a creed was everything […] or that a religion could not be false which had a creed; but a religion can’t be true which has none.”

An interesting issue that the book addresses is the paradox of private judgement in Catholic conversion. If one talks to converts from Protestantism, a common rationale offered in favour of the conversion is that the reign of private judgement on religious matters in Protestant circles leads to religious chaos — each man his own Pope. Catholicism is chosen as the antidote to such chaos, for the Catholic Church teaches authoritatively, dividing truth from error with Christ’s own authority. But there’s the rub: for a convert — and, in a religiously contested age like our own, for cradle Catholics too — Catholicism is chosen, which means that private judgement isn’t quite out of the picture, and indeed stands disconcertingly close to the root. Charles ponders this problem at some length:

Now it need not be denied that those who are external to the Church must begin with private judgment; they use it in order ultimately to supersede it; as a man out of doors uses a lamp in a dark night, and puts it out when he gets home. What would be thought of his bringing it into his drawing-room? what would the goodly company there assembled before a genial hearth and under glittering chandeliers, the bright ladies and the well-dressed gentlemen, say to him if he came in with a great-coat on his back, a hat on his head, an umbrella under his arm, and a large stable-lantern in his hand? Yet what would be thought, on the other hand, if he precipitated himself into the inhospitable night and the war of the elements in his ball-dress? “When the king came in to see the guests, he saw a man who had not on a wedding-garment;” he saw a man who determined to live in the Church as he had lived out of it, who would not use his privileges, who would not exchange reason for faith, who would not accommodate his thoughts and doings to the glorious scene which surrounded him, who was groping for the hidden treasure and digging for the pearl of price in the high, lustrous, all-jewelled Temple of the Lord of Hosts; who shut his eyes and speculated, when he might open them and see. There is no absurdity, then, or inconsistency in a person first using his private judgment and then denouncing its use. Circumstances change duties.

And I do think that the apparent paradox has to be resolved in something like this way: a convert’s judgement gets him so far, as it must, for at that point he has nothing else to go on — unless it be grace, about which more below. But once inside it is foolhardy, and certainly counterproductive, to be standing in judgement over every jot and tittle when his attitude ought rightly to be one of docility and receptiveness, for if the Church is what she claims to be then he can only benefit from opening his heart and letting her graces and truths form him. In the process of transition, a good deal of prudential judgement is called for to get this balance right.

And though it seems that private judgement in religion is a part of the conversion process, there is something futile and even comical about it to one whose conversion is further advanced. Commenting on the tendency of Protestants to claim to discern whether and how Catholicism has corrupted the faith, Charles’ friend makes a good point:

Willis said that he supposed that persons who were not Catholics could not tell what were corruptions and what not.

That is very well said.

Yet it would be a mistake, I think, to characterize conversion — conversion to Catholicism, at any rate — as a principally intellectual process that one undertakes on one’s own. Faith is not something one musters up or merely wills; faith is a gift. It comes to us; we are encouraged to ask for it. Charles’ friend Willis makes the same point to him:

“What you want is faith. I suspect you have quite proof enough; enough to be converted on. But faith is a gift; pray for that great gift, without which you cannot come to the Church.”

I have myself cautioned friends not to pray for faith unless they are serious, because in my experience this particular prayer has a startling likelihood of being answered, and then there’s no telling what might happen.

Even when we receive this gift, though, conversion is slow. We may have moments of particular significance along our way, but nobody, I think, can truly be converted in a moment, for it calls for a renewal and re-alignment along many dimensions, and it takes time to discover them all even when we are pliant — and we are not always pliant:

Conviction is the eyesight of the mind, not a conclusion from premises; God works it, and His works are slow. At least so it is with me. I can’t believe on a sudden; if I attempt it, I shall be using words for things, and be sure to repent it. Or if not, I shall go right merely by hazard. I must move in what seems God’s way; I can but put myself on the road; a higher power must overtake me, and carry me forward.

What I like about this passage is the sense it conveys of the convert being accompanied. Can one who truly feels alone be converted to Catholicism? The name of the Paraclete, I am told, means ‘one who comes alongside’, and in my experience this is what a prospective convert actually experiences. One has the sense of being on a road, going somewhere, but also of the road itself having been somehow prepared in advance. To my delight, Charles makes exactly this point:

He could not escape the destiny, in due time, in God’s time—though it might be long, though angels might be anxious, though the Church might plead as if defrauded of her promised increase of a stranger, yet a son; yet come it must, it was written in Heaven, and the slow wheels of time each hour brought it nearer—he could not ultimately escape his destiny of becoming a Catholic.

This is putting it a little more strongly than I would, but I think he is here undoubtedly describing the real quality of the experience that at least some converts have.

For Charles, living in the time and place that he does, the decision to become a Catholic is not without cost. He becomes estranged from his family and from respectable society. “Yes, I give up home, I give up all who have ever known me, loved me, valued me, wished me well; I know well I am making myself a by-word and an outcast.” He can no longer continue at Oxford, so departs for London, not really knowing what will become of him. In the final act of the novel he lodges in London with a friend, just prior to approaching a priest to request reception — at this point, he still doesn’t know any priests! — and Newman stages a kind of parade, as person after person, having heard of his intentions, knock at his door with the intention, apparently on the principle that someone who gives off believing one thing is ready to believe anything, of diverting him to their particular systems of belief. This section of the book is diverting, but not very successful beyond that. The finale is rescued by the final scene, in which Charles is finally received into the Church:

“Too late have I known Thee, O Thou ancient Truth; too late have I found Thee, First and only Fair.”


[Aphorism touching Church authority]
When an oracle equivocates it carries with it its own condemnation.

[Pondering the Anglican and Catholic churches]
“Now common sense tells us what a messenger from God must be; first, he must not contradict himself, as I have just been saying. Again, a prophet of God can allow of no rival, but denounces all who make a separate claim, as the prophets do in Scripture. Now, it is impossible to say whether our Church acknowledges or not Lutheranism in Germany, Calvinism in Switzerland, the Nestorian and Monophysite bodies in the East. Nor does it clearly tell us what view it takes of the Church of Rome. The only place where it recognizes its existence is in the Homilies, and there it speaks of it as Antichrist. Nor has the Greek Church any intelligible position in Anglican doctrine. On the other hand, the Church of Rome has this prima facie mark of a prophet, that, like a prophet in Scripture, it admits no rival, and anathematizes all doctrine counter to its own. There’s another thing: a prophet of God is of course at home with his message; he is not helpless and do-nothing in the midst of errors and in the war of opinions. He knows what has been given him to declare, how far it extends; he can act as an umpire; he is equal to emergencies. This again tells in favour of the Church of Rome. As age after age comes she is ever on the alert, questions every new comer, sounds the note of alarm, hews down strange doctrine, claims and locates and perfects what is new and true. The Church of Rome inspires me with confidence; I feel I can trust her. It is another thing whether she is true; I am not pretending now to decide that. But I do not feel the like trust in our own Church. I love her more than I trust her. She leaves me without faith. Now you see the state of my mind.”

[A description of Rome]
It was so dreary, so melancholy a place; a number of old, crumbling, shapeless brick masses, the ground unlevelled, the straight causeways fenced by high monotonous walls, the points of attraction straggling over broad solitudes, faded palaces, trees universally pollarded, streets ankle deep in filth or eyes-and-mouth deep in a cloud of whirling dust and straws, the climate most capricious, the evening air most perilous. [Ed. — Personally, I don’t recall the climate being all that capricious.]

[On the experience of Mass in the old Rite]
Each in his place, with his own heart, with his own wants, with his own thoughts, with his own intention, with his own prayers, separate but concordant, watching what is going on, watching its progress, uniting in its consummation;—not painfully and hopelessly following a hard form of prayer from beginning to end, but, like a concert of musical instruments, each different, but concurring in a sweet harmony, we take our part with God’s priest, supporting him, yet guided by him.


Childs: God’s Traitors

November 7, 2015

childs-traitorsGod’s Traitors
Terror & Faith in Elizabethan England
Jessie Childs
(Bodley Head, 2014)
463 p.

I have discussed books about the history of Catholicism in England during the reigns of Elizabeth I and James I before. Jessie Childs has written a very interesting and well-researched volume covering the same period. What distinguishes hers from others, and what gives it considerable appeal, is its focus on several generations of one prominent recusant Catholic family: the Vaux family. They figure in any competent account of the Jesuit mission to England, for they were key players in protecting the priests and sustaining the mission, but putting them at the center of the story has the advantage of letting us see more clearly how the swirling religious and political controversies of the period affected real people.

In the case of the Vaux family, the most important figures were women: Anne and Eleanor, especially. They harboured priests, allowed Catholics to meet in their homes, had hides built into the walls and staircases of their manors, and provided whatever support the Jesuits needed. There is a certain irony in the fact that the prominence of women in this story is largely a result of the social and legal position of women in Elizabethan society. Because they could not own property, they could not have their property confiscated. Because they did not have careers in public life, they were not subject to the variety of impediments facing Catholics in public life. Their private social roles allowed them to act with a freedom that was simply not possible for men.

Childs brings her story up to the Gunpowder Plot and its aftermath. She is rather critical of the actions of Henry Garnet, SJ, who was the Jesuit Superior in England during most of the period she covers. Garnet learned of the Plot — or at least knew that something was afoot, even if the details were hidden from him — under the seal of the confessional. While acknowledging the inviolability of the seal (and, generally speaking, it should be said that Childs is even-handed but sympathetic in her treatment of Catholicism), and acknowledging that Garnet did take some action to avert the disaster, she ultimately judges him to have done too little. It’s a difficult point, with reasonable arguments on both sides.

Needless to say, the discovery of the Gunpowder Plot was a calamity for Catholics throughout England. Whatever lackadaisical tolerance they might have enjoyed disappeared overnight. Numerous Catholics, priests and lay-people, including Henry Garnet himself, were captured and executed. Those tenacious Brits still burn Guy Fawkes in effigy every November 5. When it comes to the burdens English society placed on Catholics, on the other hand, and to the lives of the roughly 200 Catholics who were executed under Elizabeth in the years preceding the Plot, it is fair to say that they do not remember. Books like this one do the good service of reminding them, and us.

Epiphany 2015

January 6, 2015


Epiphany, which closes out the twelve days of Christmas, is always a joyful feast but this year I have a particular, additional reason to rejoice, for today a friend has been received into the Church. Or, I should say, “today”, for these movable feasts can sometimes prove elusive quarry, and in fact he was received on Sunday. But no matter! Let’s celebrate today.

Since this friend is rather fond of music, I offer John Sheppard’s setting of Reges Tharsis, the Gradual from the Epiphany Mass.

Reges Tharsis et insulae munera offerent,
reges Arabum et Saba dona (Domino Deo) adducent.
Et adorabunt eum omnes reges terrae,
omnes gentes servient ei.
Gloria Patri et Filio et Spiritui Sancto.

The kings of Tarshish and the islands will offer tribute,
the Kings of Arabia will bring gifts to the Lord God;
And all kings will adore him,
and all nations will serve Him.
Glory be to the Father, and to the Son, and to the Holy Ghost.

The Benedictines of San Benedetto

October 21, 2014

Rod Dreher recently made a trip to Italy — research for a book on Dante, I believe — and along the way he stopped at the Monastery of San Benedetto, an abbey built on the birthplace of Sts. Benedict and Scholastica. He was taken by surprise:

The monks of Norcia are Benedictines who pray the old mass, and who chant the hours in Latin. To be in their basilica during mass or the hours is like stepping into another century. To describe it as aesthetically rich and spiritually nourishing hardly does the experience justice.

But to really understand what’s happening in at St. Benedict’s Monastery in Norcia, you have to talk with the monks. Except for the prior, Fr. Cassian, they are all young men. And they are easygoing, gentle, and luminous. They radiate joy. Casella and I could hardly believe that a monastery like this exists. To talk with them about their lives as Benedictines, and how and why they came to embrace the monastic calling, was a profound grace…

I kept thinking: Anybody who despairs of the Church, or of their spiritual lives, should come to Norcia. This monastery and basilica glows with peace and joy. It is, as I said yesterday, both a lighthouse and a stronghold. More people should know about this monastery. I don’t know what exactly they are doing, but the spiritual fruits of their community are palpable. They are gaining so many vocations that they are outgrowing their small quarters. We read and hear about so many defeats for the Church these days, but in the mountains of Umbria, the faith is winning.

You need to go see this place for yourself. If you can, make a retreat there. Casella and I hated to come down off the mountain today, but we have a plane to catch in the morning. Tonight we walked around Rome and visited some of the great churches of Christendom, but all we could think about was the monks of Norcia, and wishing we were back there with them.

Read the whole thing. It’s nice to see Dreher, who has had a troubled relationship with Catholicism, to say the least, responding so positively to these Catholic monastics.

When I think of St. Benedict, I usually think of Montecassino. I admit I’d never heard of San Benedetto, which is situated near Spoleto, not all that far from Assisi, and less than 200 km from Rome. I’d love to go there one day.

At San Clemente

August 28, 2013


My favourite church in Rome is the basilica of San Clemente, a building that is not only breathtakingly beautiful, but full of fascinating history as well. The middle section of this essay is a photographic tour of the church, and a pretty good one.

Books briefly noted

July 17, 2013

Busy times, but here are brief notes on a handful of books I’ve read recently:

ciabbatoni-danteDante’s Journey to Polyphony
Francesco Ciabattoni
(University of Toronto Press, 2010)
264 p.

A scholarly monograph examining the place of music in the architecture of The Divine Comedy. Ciabattoni, a professor at Georgetown, sees Dante using references to music to deepen and enrich the political, moral, and religious themes of the poem. The basic claim can be briefly stated: in Inferno music is heard as a perverse parody of sacred liturgy, cacophonous and ugly; monophonic chant dominates Purgatorio, where it is a balm for wounded souls and an expression of spiritual solidarity; Paradiso enters the realm of polyphony, where the music of the spheres and a harmonious chorus of blessed souls express the unutterable beauty of beatitude. Speaking as a casual admirer of Dante, none of this strikes me as particularly surprising or controversial, but it is certainly valuable and interesting. Most intriguing was Ciabattoni’s observation that the cascading, intertwined vocal lines of polyphony serve Dante well as he approaches the highest heavens precisely because the complexity obscures the sung text, for the music is thus able to carry the soul beyond the limits of rational comprehension and into the realm of boundless love and beauty. Take that, Council of Trent! Ciabattoni develops his full argument in great detail.

hahn-signsSigns of Life
40 Catholic Customs and their Biblical Roots
Scott Hahn
(Doubleday, 2009)
288 p.

Catholics are sometimes accused, by their separated brethren, of importing a lot of non-Biblical baggage into their practice of the faith; I won’t say that Scott Hahn set out specifically to counter that accusation (though, given his background in evangelical Protestantism, it might have been in the back of his mind), but he has countered it nicely all the same. He examines forty aspects of Catholic religious and devotional life, ranging from broad thoroughfares like “the Mass” and “Baptism” to nooks and crannies like “Novenas” and “Scapulars”, devoting five or six pages in each case tracing it to Biblical sources. Quite apart from whatever apologetic value the book may have, it also serves as a helpful primer on the wonderful variety and richness of Catholic faith and life. What would life be like without pilgrimage, the Church calendar, sacred images, and the tabernacle? I don’t want to think about it. The book would make a suitable gift for a Catholic convert, for a non-Catholic curious about Catholic practices, or for a cradle Catholic who wants to deepen their understanding of the tradition. Written in an accessible, even conversational, tone, it is the sort of book one can pick up now and then, read a few pages, and then set down again. It would serve well as a basis for family catechesis, or (as I can personally testify) as occasional bedtime reading.

kelly-musicEarly Music
A Very Short Introduction
Thomas Forrest Kelly
(Oxford University Press, 2011)
130 p.

The designation “early”, in this context, refers to music that was rarely or never heard prior to a revival of interest in the mid-twentieth century — namely, music of the medieval, renaissance, and baroque periods, covering the years from roughly 1000 (coinciding with the invention of musical notation) to about 1750 or thereabouts. Bach is “early music”; Mozart, just a few decades later, is not. The book gives a nice introduction to the music of these times, pointing out the distinctive characteristics on the basis of which we carve it up into separate periods, and helpfully highlighting the performance challenges of the music, some of which survives only in ambiguous notation or assumes that players will improvise on the basis of the written score. Kelly, a professor of music at Harvard and long involved in early music circles, also devotes a substantial part of the book to a brief history of the “early music movement” of the past fifty years, which aimed to revive the repertoires, styles, and instruments of the past. He doesn’t shy away from skeptical questions about this quest for musical “authenticity” — after all, “period instruments” and “period playing” are all very well, but where shall we find a “period audience”? — but in my opinion the proof is in the pudding: without this music, and the dedication of those who try to bring it back to life, the world would be a much drabber place. The book is a pleasant little primer for those who love this music.

hurley-southSouth with Endurance
Shackleton’s Antarctic Expedition, 1914-1917
The Photographs of Frank Hurley
(BCL Press, 2001)
244 p.

A couple of years ago, during an Antarctica-themed blogging blitz, I wrote about Ernest Shackleton’s ill-starred Endurance expedition to the South Pole, which ranks as one of the great survival tales in the annals of exploration. (See here.) Frank Hurley was the expedition’s photographer, and this beautiful coffee-table book gathers together the photographs that he was able to save from the hazards of ice and ocean. There is some background information given on the expedition and on Hurley, but naturally the pictures are the main attraction, and spectacular they are. Readers who want a good, detailed telling of the story should look elsewhere (specifically, to Lansing’s Endurance), but I would argue that this pictorial volume is an indispensable companion.