Gloria in profundis Deo

April 2, 2017

In the world of early music, where manuscripts are often bereft of temporal markings, dynamic markings, and even pitch indications, a certain amount of creative interpretation is an inescapable part of any performance. But there’s interpretation and interpretation: sometimes musicians come along with a bold challenge to the received wisdom about how the music of a particular time and place should sound.

Case in point: Graindelavoix give us a version of Machaut’s Messe de Nostre Dame that is frankly bizarre: pitches slide all over the place, the timbre is rough and unpolished, and ornamentation, inspired, it sounds, by Middle Eastern and Arabic singing, pervades all.

This embedded video contains a full performance of the Mass, with propers, but I’m queuing it up to the Gloria, which lasts for about 6 minutes. I’m mostly thrilled by the bass in this ensemble, who is some kind of monster: listen, for example, to the notes he sings at “Jesu Christe” (about 2-1/2 minutes in, and again at about 4 minutes in). Amazing.

I’m honestly not sure if I like what they’re doing — it comes close to being an early-music freak-show — but I do like that they emphasize how little we really know about how this music sounded to those who first wrote and performed it. And I definitely like that bass.

If you don’t know how this Mass usually sounds, here is a fairly typical reading of the same section.

2 Responses to “Gloria in profundis Deo”

  1. Mac Horton Says:

    Wow. I rather like it. I think.

  2. cburrell Says:

    My thoughts exactly.


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