Films of the new century

August 31, 2016

The BBC polled a reel of film critics and assembled a list of Top 100 films of the 21st century (so far). I find such lists irresistible.

My first observation is a personal one: because I don’t have a great deal of time to watch movies I try to be discriminating when choosing one, and, to judge by this list, I have not been doing too badly in that respect. To wit: I’ve seen two-thirds of the films on the Top 100, including 24 of the top 25. It’s gratifying to know that I’ve not been wasting my time — not utterly, anyway.

The fact that David Lynch’s Mulholland Drive came out on top has raised some eyebrows. The first time I saw it I was befuddled — a not uncommon reaction, I think, and no doubt I was even more befuddled than most. After my next foray I was dazzled by its brilliance; Naomi Watts’ performance, in particular, I thought one of the best I’d ever seen. But when I returned to bask again I found it a mess; I simply couldn’t make sense of it, and that unnerving Lynchian magic seemed to be gone. I still love Naomi Watts in the lead role, but right now I’m pretty sour on Mulholland Drive. Perhaps I need to see it yet again.

I was delighted to see Wong Kar-wai’s In the Mood for Love take second place. Has anyone actually seen this film? It’s an unusual love story, saturated with an elegiac tone and filmed with stupefying beauty. I’ve been meaning to go back and watch it again, and perhaps its high ranking on this list gives me the occasion I’ve been looking for.

Naturally, there are some head-scratching elements. How did Yi Yi (#8) crack the Top 10? Sure, it’s a lovely film, but I wouldn’t have thought it Top-1o material. The high placement of Linklater’s Boyhood (#5) annoys me, as does the mere appearance of The Social Network (#27).

I wonder which directors have the most films in this Top 100? I see the Coen Brothers have three (#10, 11, 82), as do the Andersons (P.T. at #3, 24, 75, and Wes at #21, 68, 95). And Michael Haneke (#18, 23, 42) and Christopher Nolan (#25, 33, 51) are in that elite group too. I count 5 animated films on the list, 4 of which are from Pixar. Well, they deserve it.


As an envoi, I’ll propose my own Top 10. As it must be, this is a rather personal selection. In rough descending order, and with the corresponding placement on the BBC list in parentheses, I vote as follows:

The Tree of Life [Malick, 2011] (#7)
No Country for Old Men [Coens, 2007] (#10)
Die große Stille [Gröning, 2005] (-)
Остров [Lungin, 2006] (-)
Adaptation [Jonze, 2002] (-)
Ida [Pawlikowski, 2013] (#55)
In the Mood for Love [Kar-wai, 2000] (#2)
Sudoeste [Nunes, 2011] (-)
Kill Bill [Tarantino, 2003/4] (-)
Brooklyn [Crowley, 2015] (#48)

Some others that might have made the list on another day: The New World (Malick), 4 Months, 3 Weeks, and 2 Days (Mungiu), The Secret World of Arriety (Yonebayashi/Rydstrom), The Departed (Scorcese), Gosford Park (Altman), Stations of the Cross (Brüggemann).

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