(Dover, 2012) 
One of Chesterton’s first writing gigs was an occasional column in the Speaker paper in London. The Defendant is a collection of those early essays, issued when he was just in his mid-20s, and the collection is so called because each of the essays bears a title of the form “A Defense of [Something]”.
Despite its early date, I was a little surprised to find that his voice in these short pieces is already recognizably his own: the wit, the playfulness, and the splendid, quixotic joy in sallies against received wisdom were already well evident. For Chesterton came bounding to the defence not of great things like beauty, art, or friendship, but overlooked or snubbed things like juvenile fiction (“A Defence of Penny Dreadfuls”), plumbers and mailmen (“A Defence of China Shepherdesses”), lower-class entertainments (“A Defence of Farce”), and trivia (“A Defence of Useful Information”). I am told that while the book was fairly well received on first publication, many readers took it as a kind of facetious provocation, a novelty item in which he defended the indefensible for mere amusement. The prevalence of paradox in these pages led one early reviewer to remark, “Mr Chesterton’s salad is all onions.” Only with time, as Chesterton’s views were reiterated and extended in his many books and articles, could his initial seriousness be fully appreciated. For the happy truth is that Chesterton really did love these unloved things, he really did regard them with gratitude, and he really did think them worthy of praise. That “Chestertonian spirit” was the gift which he was, in these essays, just beginning to bestow upon the world, and they make for good reading still.