From time to time I have thought to compile a catalogue of musical settings of Chesterton’s poetry. He wrote scads of poetry — now three fat volumes in the Collected Works — and though most of it is of middling quality, there are some gems within. A number of composers have taken up the challenge.
Here is a list of settings, incomplete but still valuable. From it we learn that composer John Gardner has made an extensive setting, for baritone, chorus, and orchestra, of The Ballad of the White Horse, Chesterton’s most ambitious poem; I should dearly love to hear it, but there seem to be no recordings available. Ralph Vaughan Williams paired the poem “O God of Earth and Altar” with the hymn tune KING’S LYNN in the 1906 edition of The English Hymnal [hear it]. The most frequently set among his poems appear to be “The Donkey”, “Wine and Water”, and “The Christ-Child lay on Mary’s lap”.
This last is the poem that has attracted the most eminent composers. It has been set by, among others, Judith Bingham, Will Todd, Gabriel Jackson, and Kenneth Leighton, all of whom, while not exactly household names, are well-known to choral music enthusiasts.
A couple of these settings are available on YouTube; I’ll close this post by linking to them.
Here is Will Todd’s setting of “The Christ-Child”:
And here is Gabriel Jackson’s setting of the same text: