In the experience of the beautiful, and of its pure fortuity, we are granted our most acute, most lucid, and most splendid encounter with the difference of transcendent being from the realm of finite things. The beautiful affords us our most perfect experience of that existential wonder that is the beginning of all speculative wisdom. This state of amazement, once again, lies always just below the surface of our quotidian consciousness; but beauty stirs us from our habitual forgetfulness of the wonder of being. It grants us a particularly privileged awakening from our “fallenness” into ordinary awareness, reminding us that the fullness of being, which far exceeds any given instance of its disclosure, graciously condescends to show itself, again and again, in the finitude of a transient event. In this experience, we are given a glimpse — again, with a feeling of wonder that restores us momentarily to something like the innocence of childhood — of that inexhaustible source that pours itself out in the gracious needlessness of being.
Beauty is also the startling reminder, even for persons sunk in the superstitions of materialism, that those who see reality in purely mechanistic terms do not see the real world at all, but only its shadow. Standing before a painting by Chardin or Vermeer, one might be able to describe the object in terms of purely physical elements and events but still fail to see the painting for what it is: an object whose visible aspects are charged with a surfeit of meaning and splendor, a mysterious glory that is the ultimate rationale of its existence, a radiant dimension of absolute value at once transcending and showing itself within the limits of material form. In the experience of the beautiful, one is apprised with a unique poignancy of both the ecstatic structure of consciousness and the gratuity of being. Hence the ancient conviction that the love at beauty is, by its nature, a rational yearning for the transcendent. The experience of sensible beauty provokes in the soul the need to seek supersensible beauty, says Plato: it is, in the words of Plotinus, a “delicious perturbation” that awakens an eros for the divine within us. All things are a mirror of the beauty of God, says the great Sufi poet Mahmud Shabestari (1288-1340): and to be seized with the desire for that beauty, says Gregory of Nyssa, is to long to be transformed within oneself into an ever more perspicuous mirror of its splendor. Kabir (1440-1518) says that it is divine beauty that shines out from all things, and that all delight in beauty is adoration of God. For Thomas Traherne (c. 1636-1674), one of the sanest men who ever lived, to see the world with the eyes of innocence, and so to see it pervaded by a numinous glory, is to see things as they truly are, and to recognize creation as the mirror of God’s infinite beauty.
— David Bentley Hart, The Experience of God.